I am honoured to have my piece Lie Down included within this moving exhibition as a reminder that this should never happen again.
Divided has been selected by Nou Wave gallery to be exhibited at The Old Biscuit Factory from 15th November to 21st November.
The Private View is 15th November 6-9pm
Nou Wave is a pop up gallery focused on elevating the most exciting artists in the UK.
About Nou Wave Gallery
“Nou Wave” is a fact finding mission to find the next wave of great artists living and working in the UK. We celebrate creativity in all of it’s diverse forms.
We accept everyone. We have no qualms about questioning the status quo.
We challenge the conventional wisdom of a white wall gallery by asking: what else could go in there?
I will be speaking at the one day symposium ‘Interdisciplinary Approaches to Corpse Work‘ event in June about my research surrounding cloth and clothing found in mass graves.
My research explores fabric and clothing found in mass graves which has evolved into interdisciplinary sculptural installation artwork. Memory, individuality and identity is indelibly left behind within materials and belongings including our bones. In this paper I will discuss how my research develops into artwork exploring identity and individuality. I will show examples of my work to date as well as exploring the themes that I propose to continue to research within a PhD next year. Textiles and clothing are often part of the primary tools used to identify human remains after atrocity. In Rwanda people had made their own clothing making it very personal and individual. In Bosnia, particularly Srebrenica, people had not been able to leave the enclave, and resorted to making and repairing their clothing. In Iraq, many people began to sew their identity documents into secret pockets within their clothing. These identity documents were later vital for the identification of the dead. The fabric used as blindfolds and ligatures, in Bosnia Herzegovina were consistent across many mass grave sites this evidence was part of the proof that events at Srebrenica amounted to genocide. Fabric is an important part of identifying these individuals and it is this research that has formed the basis of my artistic practice for the last 3 to 4 years. I have explored evidence of fabric found within Mass Graves predominantly within Bosnia but also other countries including Kosovo and Iraq. Borders too are an important element for my exploration, the borders between countries as a touchpoint for conflict, but clothing and skin, life and death, homeland and refugee are also borders. This work has evolved through my undergraduate degree in Textiles for which I was awarded first class honours, and into my current MFA (Master of Fine Art) at Oxford Brookes University.
I am excited to have had work selected for the upcoming ‘Chromantics’ Exhibition.
A selection of artworks from some of OVADA’s Associate Artists pair together for a dramatic collection of colour and creativity. This playful arrangement of striking paintings and sculpture set out to challenge the audience on what modern art can be. Curator and artist, Tommy Watkins, invites you to explore this unique off-site exhibition and meet the people who are shaping the Oxfordshire art scene.
Opening reception and artist talk: Saturday 6 April 2019, 5-8pm.
Exhibition runs from 3 – 28 April 2019
Gallery Open: Tuesday to Saturday, 10am – 8pm and Sunday, 11am – 4pm.
VENUE: Cornerstone Gallery
DIRECTIONS: 10 minute journey on train from Oxford City Centre to Didcot Station. 3 minute walk from Train station to Cornerstone Gallery.
With special thanks to Cornerstone Arts Centre and OVADA Associates.
July 11th is Srebrenica Memorial Day, the anniversary of the fall of Srebrenica and this year on the 23rd anniversary I was invited to attend two memorial events. One at Oxford Town Hall with Oxford’s Lord Mayor and I was also invited by Remembering Srebrenica to attend the London Memorial service at The Guildhall as a community champion.
During the Oxford service I was asked to light a candle to remember those killed in the genocide and I was also invited to speak about my 8372 cards project.
I currently have a piece of work installed downstairs in the entrance of The Town Hall. It is a direct response to the genocide at Srebrenica and is titled ‘8372 cards’. I wanted to visualize the enormity of what happened at Srebrenica in 1995 and to try to consider the identity and individuality of each of those killed.
Over the last couple of weeks I have invited volunteers to events across Oxford. These volunteers have individually hand number all 8372 business cards with an automatic number stamp.
For me business cards represent identity, status and the ability to make contact with someone, however many individuals have yet to be found at Srebrenica and their families remain desperate to know where they lie. The act of numbering was a powerful experience for everyone who took part and each felt deeply moved by it.
All 8372 cards have been displayed here at the town hall in their entirety but today I ask you to take a card to remember each of those individuals who died, and to remind ourselves of the consequences of hate.
In London at The Guildhall I installed my piece ‘Lie Down‘ within the reception area. I met and spoke to many fascinating people and had the opportunity to explain my work. During the service I was one of the candle bearers.
For this project I will print 8372 business cards, that will be individually numbered/editioned 1/8372, 2/8372 etc on one side. The other side of the card will have a brief paragraph explaining the history of what happened at Srebrenica in 1995 as well as an explanation of the piece of work.
These business cards remind us of each of those people killed without actually naming them. Business cards represent identity, status and the ability to make contact, many of those who died still remain missing.
The process of numbering will be an important act. I intend to host a two day event within the project space at Magdalen Road Studios and invite artists and members of the public to participate in the numbering of each of the 8372 cards. Each of these volunteers will conceptually represent the perpetrators, condemning each of the individual victims. This process will engage each volunteer to consider more deeply the events and actions of 23 years ago.
Srebrenica Memorial week runs from the 8th to the 15th July. I am hoping to exhibit all of the cards in their entirety at the Town Hall in Oxford from 8th to 11th July. Then from the 11th July I will begin to hand out these cards within public spaces metaphorically exhuming each of the individuals and acknowledging their existence. This will be an act of remembrance that will help to raise awareness and remind us all of the consequences of hate.
I will continue to document the process here as well as on my social media channels.
Every year “White Armband Day” takes place on 31 May, the anniversary of the start of the campaign of ethnic cleansing which took place in the town of Prijedor, northern Bosnia-Herzegovina.
Bosnian Serb authorities issued a decree on local radio ordering all non-Serb citizens to mark their houses with white flags or bedsheets and to wear white armbands when leaving the house. This began campaign of extermination.
To mark this anniversary I have been given the opportunity to exhibit ‘Lie Down’ within the entrance to the art department at City of Oxford College for 4 weeks during their end of year shows and the run up to the end of the summer term.
This is a fantastic opportunity to reach a new audience some of whom may have been around in 1995 but would have been too young to know anything about the war in Bosnia and Herzegovina.
It is on display until 22nd June.